H e n r i k e   M e y e r

Plastic flowers in empty tins. Scribbled pages of calendars. Graffiti on the wall, cleaning rags as tablecloths. Pictures on the walls tell of dreams and wishes. Arrangements full of memories.

At a first glance the performer (Thérèse Nylèn) is barely noticeable. She is part of her environment. Without movement. Another still life. She resolves herself out of the image and guides us through the abandoned rooms.